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These are events you will not be able to get later; once they are missed, they are gone forever. Use the camera as you use your eyes—let the viewer see as much as possible of what you see. Let it all take place before you. Use the zoom only to maintain the field of action. Go in only as tight as is necessary to eliminate areas of “dead” space. Look as You Shoot It may seem silly to say this, but you have to tell yourself to look up once in a while. With the lens wide, you can easily take your face away from the viewfinder and look around as you shoot.

With the size and price of cameras continually decreasing, along with the higher sophistication and lower price of editing software, just about anyone can create video content today. Whether creating news or non-news projects, the video producer must be trained in an arsenal of skills if he or she is to communicate the desired message of the video effectively to the intended audience. Each chapter in this book will address an area within that arsenal. These chapters are organized into four parts or clusters: Shooting Video on Location 1.

Chapters 6 and 7 describe the steps needed to plan, shoot, and edit a video project. The third section, The Tools, gives you in-depth information about the equipment and techniques that you need to know to create high-quality video using consumer or professional equipment. The final section, The Business of Video, informs you about how projects are budgeted and priced, legal issues that all videographers and producers should know about, and new developments in the industry that change the equipment and how the industry operates.

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ANTON Model CD V-700 Mod 5 Radiological Survey Meter (instr, maint)

by Kenneth

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