Karl Heller's Antonio Vivaldi: The Red Priest of Venice PDF

By Karl Heller

ISBN-10: 1574670158

ISBN-13: 9781574670158

Antonio Vivaldi's rediscovery after global warfare II fast led him from obscurity to his current renown as some of the most renowned 18th-century composers. Heller's biography offers the $64000 features of his existence, his works, and his impact on song background.

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with details and DOUBLE FALSEHOOD

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LIST OF THE PLAYS’ SOURCES

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THE beginning OF MERLIN
VORTIGERN AND ROWENA and plenty of more!

The Adaptations
TALES FROM SHAKESPEARE through CHARLES AND MARY LAMB

The Poetry
THE SONNETS
VENUS AND ADONIS and more

The Apocryphal Poetry
TO THE QUEEN and more!

The Criticism
PREFACE TO SHAKESPEARE AND NOTES ON PLAY by way of SAMUEL JOHNSON
ON SHAKESPEARE by means of LEO TOLSTOY
EXTRACTS FROM WILLIAM SHAKESPEARE by means of VICTOR HUGO
SHAKESPEARE'S perspective towards THE operating sessions by way of ERNEST CROSBY
A LETTER through GEORGE BERNARD SHAW
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The Biographies
SOME ACCOUNT OF THE lifetime of MR. WILLIAM SHAKESPEAR by means of NICHOLAS ROWE
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LIFE OF WILLIAM SHAKESPEARE by way of SIR SIDNEY LEE
SHAKESPEARE'S misplaced YEARS IN LONDON by way of ARTHUR ACHESON
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Extra resources for Antonio Vivaldi: The Red Priest of Venice

Example text

His continuous appointment at the Ospedale was quite remarkable in light of the reputation Vivaldi acquired and given his many activities elsewhere. 1 Among the various periods of Vivaldi’s involvement at the Pietà, the first – from 1703 to 1717 – can be characterized as relatively prolonged, in spite of an interruption between 1709 and 1711. It was during this period that Vivaldi was most closely linked to the institution. On the basis of the information we have, it can be said that although Vivaldi may have had some activities elsewhere, his duties at the Pietà 51 52 Chapter Four Figure 9.

The Frankfurt nobleman Uffenbach met Vivaldi during the Carnival of 1715; the Dresden violinist, Pisendel, “took formal lessons on the violin”6 from Vivaldi, who dedicated five violin sonatas and six violin concertos (in manuscript) to him during the German’s stay in the city in 1716. In his diary, Uffenbach provided a particularly vivid account of the musician’s varied artistic activities. The German patrician attended the Teatro Sant’Angelo four times between 4 February and 4 March, three times for performances of the pastiche Nerone fatto Cesare (RV 724) arranged by Vivaldi.

1 trio sonatas applies to Vivaldi’s second set of published works, the twelve Sonatas for Violin and Continuo. They were first published without an opus number in 1709 by Antonio Bortoli of Venice. Bortoli announced their publication late in 1708. The designation “Op. 2” appeared on the 1711 reprint by Estienne Roger of Amsterdam. The violin sonatas were dedicated to King Frederick IV of Denmark and Norway, who made an incognito visit to Venice between 29 December 1708 and 6 March 1709 during Carnival and attended a Pietà concert conducted by Vivaldi on 30 December.

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Antonio Vivaldi: The Red Priest of Venice by Karl Heller


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